الجمعة، 19 أغسطس، 2011

People and embroidery adorn the robes Engy Abdel Hafez

Raised fashion designer Egyptian Engy Abdel Hafez its new range of gowns and shows her style in the unique combination of long history of traditional arts and civilizations of East and innovative spirit, and keep up with new trends in the fashion world.

Carrying cloaks Inge touches charming motifs popular and raw fabric and hand embroidery distinctive, as well as accessories is traditional, some inspired fashion Nubia or the Sinai Bedouin, and the other reflecting the affected Palmtrzac Indian strings of silk and cotton up to caftan and robe were inspired by their cloaks very dazzling.

The newspaper "Union" the UAE that Inge was adopted on silk and crepe and Alhivounat and satin, and this year was the primary colors are white, black and Alavwight, and interferes with it, of course, other colors including green, red, beige and planned, and provided models of a variety of mostly variations on a new overlap with several materials such as crochet hand , embroidery and stones and coins and the skin, even a handkerchief embroidered with flowers of Egyptian Agriculture and the bright colors, which became the latest Fashion and employed in the art to occupy part of the abaya.

Inge says "Strive to become all the mantle piece of art unique is rarely repeated, so do not Carry out any idea of ​​more than two, one black and one white or cream, and all the cloak manual work and technical .. became my style is known and the method is different from the specialists in gowns Heritage years ago I make my designs for women, who seek exclusivity and decency together, so I follow all the new trends in international fashion and mental work to employ some of these trends in robes with our heritage and our cultures. "

Indicate that they tried to convert some fashion, such as traditional robe and caftan to overflowing with paper gowns modern and beautiful through the materials, colors, and haircuts. Although most of the gowns suitable for all occasions and fit women veiled and non-veiled, there is a special section within the group of the cloak Alsoareh, used the lace, silk, satin, printing, gold, and some with letters Kufic in configurations art is distributed to the cloak to give effect aesthetically fit the design

Conclude Inge "I put in mind that the purpose of wearing the abaya is modesty, and reluctance to reveal details of the textures, but that does not look like women and like a faceless, so the design incorporates a belt internally shows the model of each mantle clearly, and control the women in the wide cloak according to the measurements own, and most designs take into account that women look more graceful

  

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