الخميس، 18 أغسطس، 2011

Thomas Mayer .. Bnfhat bold fashion classic

Painted the prestigious Italian fashion house "Bottega Veneta" line of garments for the autumn and winter seasons 2011 / 2012, in Milan for Fashion Week last, see the classic elegance of its mark and influence in international fashion trends for this year.



The newspaper "Union" that Thomas Meyer UAE designer inspired his last house from the windows of colored glass of the Gothic church, hospitals and the impact of which is punctuated by flashes of light Kottiyav feed his imagination and inspired to invent a fascinating art forms come to life.

 Squad Meyer with dimensions three of the potential energy between the folds of cloth, as if the designer wanted to come out spree flash of colors, warm and burning, breaking the deadlock that has adopted most of the international designers for the next two seasons, providing a colorful bouquet and amazing pieces of high-end models are diverse and different for different times of the day and night, might look classic, but its title with a bold and blatant Nfhat of modernization, he gathered a sense of seduction between the Italian and classic French elegance.

 Out mannequins clad cut selection of clothes day and a beautiful dominated by the model, the sixties-era past, where she developed a set of Altajurat high-end, and short dresses with coats are consistent with the materials and colors, and a number of skirts Baksat and different lengths, topped with jackets wool short-framed edges and editions of the silk, while the set was the evening a selection of models suitable for cocktail parties and evening, some short and ethereal seduced advantage of lightness and softness micro until it is almost non-existent weight, was carried out fabrics and materials transparent Aldantelat and Alotwal, some of the other artificial, luxurious and long component of corsets and Corsets narrow details mold textures and styles, ending after that Bjobac wide and Mtmaogh, characterized by multiple and innovative Bttiyat of taffeta and Vai
By Meyer, the source of inspiration which inspired the form of stained glass in Gothic churches of old, Vetoom between orange and fuchsia, and between Alkirkma and oil, and silver and black, as were some colors, like a shaded or covered with Bashtahat degrees darker and darker, while the move some pieces through packaging transparent lace and tulle black Abtnha Bhraar yellow and amber, and ivory, and coral, forming between the gentlemen and printed in some pieces, and Mulva between coarse and fine.

 
Styles Meyer came out in the most stilted, especially in the group Evening, Travel layers of silksand Alotwal and Aldantelat, or layers of taffeta and Vai, as devised for times of day models ofelegant so-called style "dress and coat," sexagesimal, that is, which comes without the sleevesto be accompanied by coat classic close of forward buttons, or Taaor of three pieces, detailedthem Tweed fabrics, wool, mohair, and grapefruit, and some of the leather and nylon.

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